Brian Lynch Quartet
featuring
Brian Lynch (trumpet)
Emmet Cohen (piano)
Ralph Peterson (drums)
Boris Kozlov (bass)
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| Foto: Marie Kaufman |
Smalls Jazz Club
30 de julio 2015, Chelsea, New York City
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domingo, 2 de agosto de 2015
martes, 28 de julio de 2015
Partituras vanguardistas
John Cage
Water Music (1952)
Ink in paper
Composer John Cage often used change procedures and nontraditional sounds as a mean of defying audiences expectations of music an opening them up to their environment. In Water Music, he turned to the ancient Chinese divination text the I Ching of Book of Changes, to determine the sequence, length, and volume of each musical element. This method produce arbitrary combinations of sound and rhythm -unexpexted and, in conventional termns, unmusical.
To perform the work, the musician lays playing cards on top of piano, pours water from one container into another, turns a radio dial, and blows bird whistles. Cage made a large-scale "score" visible to the audience so they could follow along, making it possible for them to experience the composition visually and conceptually.
Water Music (1952)
Ink in paper
Composer John Cage often used change procedures and nontraditional sounds as a mean of defying audiences expectations of music an opening them up to their environment. In Water Music, he turned to the ancient Chinese divination text the I Ching of Book of Changes, to determine the sequence, length, and volume of each musical element. This method produce arbitrary combinations of sound and rhythm -unexpexted and, in conventional termns, unmusical.
To perform the work, the musician lays playing cards on top of piano, pours water from one container into another, turns a radio dial, and blows bird whistles. Cage made a large-scale "score" visible to the audience so they could follow along, making it possible for them to experience the composition visually and conceptually.
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| Foto: Marie Kaufman |
Whitney Museum of American Art
27 de julio 2015, Chelsea, New York
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